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Monday 29 December 2014

*I guess I'll have to buy the White Album again... Part One


  In the good old days, if you remember that far back, there was the sudden decline of VHS with the introduction of a new format... DVD. Films were suddenly broadened and expanded with the additional data footprint afforded by the new medium. No longer was it just a film, it was a film, Behind the Scenes, Deleted Scenes, Interviews, Gag Reels, Featurettes, Music Videos and OH SO MUCH MORE!  And thanks to DVD there were suddenly new definitions such as -

Vanilla [vuh-nil-uh or, often, -nel-uh]
Adjective: Informal. plain-vanilla.
DVD definition: Feature film and possibly a motion menu, but no other features of any kind.

Double Dipping [duhb-uh l-dip-ing]
Noun: the act or practice of receiving more than one income or collecting double benefits from the same employer or organization.
DVD definition: Any Special, Collector's, Definitive etc... Edition of a film released as the ultimate version, only to be re-released with even MORE content as another edition. Or the initial release of a film as a Vanilla disc, only to be re-released/replaced shortly after as one of the aforementioned editions.

  With the arrival of Blu-Ray these terms should have been rendered as obsolete as VHS, but sadly studios still do it. In fact more and more often studios will release three different versions on the initial release day (EG: 3D, Blu-Ray, Collectors/Limited/etc...). Some studios go as far as to give you a triple pack of Blu-Ray, DVD, and Ultraviolet or Digital copy, although some of these are sorely lacking in additional content. But this is all par for the course. What I'm actually trying to get to, yeah there is a point, is the poor quality and sub-par releases to Blu Ray which are steadily being released on a more regular basis.

 I'm going to use the initial 2009 Blu-Ray release of Ghostbusters as my case in point.

  Prior to release the transfer was said to be completely re-digitised from the original negative (or at least that is what I read).
 The case lists the feature picture quality as:
High Definition 1080p Widescreen (2.40:1)
 But sadly I believe this to be a HUGE lie and if anything it's an up-scale from a VHS print.
 The quality is so poor or noisy (EG: "Snow" or Static like graininess) in some scenes it is hugely distracting to the point of annoying.
 Take the following screen shot I took from the Blu Ray myself:
Ghostbusters - 2009 Blu-Ray 
I want to stress of the image above:
  • It has not been altered or edited.
  • It is a screenshot taken with my Smartphone using my Smart Television's remote app Screenshot function.
  • The Blu Ray player in this case is a Playstation 3 with Sony branded Gold plug HDMI connection...


  The number of substandard releases to Blu-Ray is surprisingly quite high. BUT where are companies (and or were) that lovingly restore films from original prints and re-release them. A perfect example of this would be the people at Hong Kong Legends, who, where once a film had received it's box office limit, and (the films) were forgotten, especially after a home video release (as the Hong Kong film industry was mostly a money laundering scheme for the Triads - There are some wonderful articles about this online), so many of these classics by directors such as John Woo, Ringo Lam and Tsui Hark were forgotten, until Hong Kong Legends restored the negatives frame by frame, created new content and features, refined and repaired audio, re-recorded English dubs and re-wrote subtitles (to less unintended comedic effect).
The Big Boss (Hong Kong Legends) - Left Original Footage and Right Re-mastered Footage

But sadly, in 2007, Hong Kong Legends was discontinued and the Cine Asia label was formed, and restoration is seemingly been halted.



  Often friends assume I'm trying to replace my DVD collection with Blu-Rays, and in some cases it might be true, but realistically I'm not. I'll purchase older films when re-released on Blu-ray (that I already have on DVD) if they have new content, or just one of those films you can watch over and over again. Ghostbusters was the latter. But to replace the older films I have on DVD, many of which have not been released on Blu-Ray yet, would be a fools errand and a costly exercise. I do buy a lot of films, and sometimes I buy newer films I've never seen because it's now cheaper to purchase them on Blu-Ray as an ex-rental, than to hire or purchase new on DVD/Blu-ray. I am a collector, so streaming doesn't do it for me. I own a lot of "crap" films, but each film I consider an element of education and reference for what to, and not to do when making a film.



*I Guess I'll have to buy the White Album again -
  In music, people would joke with the release of each new format (Vinyl, Cassette Tape, Mini-Disc, Audio DVD, MP3 etc...) that people would have to purchase The Beatles White Album again. Now the internet says that this joke originated with a throw away line by Tommy Lee Jones in Men In Black, but my Father said this with the introduction of CD, which was well before the release of this film. I'm not saying my father made up this joke, I'm saying it's an audiophile reference.
 The concept was that with each different format you may hear something different from the music, find more depth, find a missed note, or something like that.

Sunday 21 December 2014

"Filmmaking is like sex" - Is film school necessary?



 Yesterday on Indie Wire an interesting article was posted which saw multiple independent film makers give honest and assertive opinions on the viability of attending a film school.

 With the excessive costs, is it wiser to pay for tuition or just use that money to make your first independent film? Is there a creative repression to which is potentially a controlled learning environment? 

  Personally, I did attend film school, or at least a film school of sorts. For my time there I did learn how to use some elements of many types of software and built a familiarization with Mac's, but for the most part, I learned that my fellow students were unreliable and prone to plagiarism and the tutors unable to truly function in the real world; the old idiom "Those who can't teach" rang ever true. I found it a port of call to gain access to gear and, at the time, expensive software, but the majority of my education was hands on and a lot of Google searching, this led to me helping several of my peers to complete projects, while also completing my own. Although the course was only a year, in that year I completed well over 20 assignments and for the most part I was, almost always, top 2 in marks. I graduated with honours and was granted an additional award on top of my Diploma. I made some good friends, some who are now no longer with us. I had a nemesis in whom I encountered a startling amount of plagiarism, drive and equal dedication, which pushed me harder and further than I thought possible.
  But, having attended film school, and looking back on that time, would I do it again? I think the answer would be yes, although at a more reputable institution, or at least an institution dedicated to film. I went back and taught for a year, and thankfully my contract expired and was not renewed, I enjoyed teaching, as well as a ready access to gear and equipment, but there is the constant feeling, not unlike that of feeling like a fraud.

  I think for each and every person it's probably a very different situation, some people find creativity in a classroom environment, others are likely to have their creativity stifled. But all in all, one of the best ways to gain access to gear at an affordable and alarmingly easy frequency is to attend a film school, granted, go with the one with the best, most well stocked and accessible gear locker!

 The article on Indie Wire can be found here: 

"filmmaking is like sex, there's no one way to do it, and the only way to learn it is by doing it." - Ana Lily Amirpour

R.I.P. - Jackson Horn
12 January 1972 - 03 December 2008


Monday 15 December 2014

Living with an SJ4000 - The Good, The Bad and the Indifferent.

 I've now been the owner of the SJ4000 for several months, in fact, I have two and am considering getting a third... And probably a fourth.
 As an unmanned camera they can competently record in 1080p for an hour before battery power becomes critically low and that old game of who'll blink first becomes a cold sweat panic.

 My initial fear when I purchased my first one was that it wouldn't be anywhere near as good as the hype suggested, but on arrival I found no major problems. BUT, I did find a few minor ones, which were all easily resolved.

 The first problem I encountered was with the attachments and mounts. Since they are mostly Go Pro compatible (and I've also found this when purchasing after market brackets and mounting solutions too) the joins are too smooth. This results in slipping when the camera is mounted. It was an easy one to resolve and the following video (not mine) shows exactly what to do (although it's pretty obvious):

 The second problem I encountered was with the second camera, the underwater case appeared fine, and I honestly didn't think to look too closely to notice initially. There are four rubber nugs on the back door which hold the camera in position when housed. It wasn't until I was about to start filming that I found the two lower nugs were damaged. This is a quality control issue and was easily fixed as the camera comes with a second door, but without those in place, none of the case buttons connect with the camera buttons as the camera moves and contact is not fully made.
Images are for demonstration purposes and are not faulty.

 The last problem, which was anticipated, is the battery life, and if you purchase from a site which offers additional batteries DO IT! Buy them, especially if you intend to film for longer than an hour in full HD (as previously mentioned).

 In the weekend I set up 4 cameras around a stage mounted in various positions with a 5th camera hand held. 

What was I using:

1x GoPro Hero 2
This was mounted on the PA stand, facing into the stage, using a M-B1 Fast Clip:


2x SJ4000's
I had one SJ4000 mounted using another M-B1 Fast clip on the PA facing across the stage, and the second was mounted on the drummers ride stand using a Standard (quick release) GoPro Bike Mount:

2x Kodak Zx5
One Zx5 was mounted on the PA stand on the opposite side of the stage again using a standard GoPro Bike Mount (the quick release version which allows for larger diameters). The other, as stated, was my handheld camera.

 Thinking I would probably have issues, I only encountered one camera failure, which was the GoPro. It appears it had discharged instead of charging earlier that day, so battery life was nominal at best and I only captured a little under 8 minutes. 

 After gathering all my gear I proceeded to drink too much which resulting in a lack of personal functionality for most of Sunday, but the footage I saw turned out better than I expected (all things considered).

Go shoot something!

Friday 5 December 2014

Vimeo Find of the Month - December (Refocused Media - The Art of Steadicam)



 ... This month, in keeping with the October find, is a look at various Steadicam shots throughout the years in Refocused Media's homage to Steadicam in The Art of Steadicam.

 Again this was uploaded over a year ago, but sometimes we need to look back before we can advance forward... Also with the broad number of shots over the 10 minute 20 second duration, it's a nice reminder of films we've likely seen and are overdue to be re-watched



Wednesday 12 November 2014

Vimeo Find of the Month - November (Roy Kafri - Mayokero - Music Video)


Vimeo find for this month, I actually found last month (October), but don't let that put you off!

  The music video for Roy Kafri was directed by Vania Heymann and is fantastic! I can't really abide the mistreatment of the records and covers, but this video is done so very well.
 The music might not be your taste, but leave the volume on and enjoy!

Watch the Roy Kafri Mayokero music video here


References:





Full video Credits:
Directing, Writing, Cinematography, Editing, and VFX: Vania Heymann.
Music by Roy Kafri.
Producing, Co­-writing and other stuff: Natan Schottenfels
Color: Tal Baltuch
“Revolver“ Animation: Yoav Shtibelman
Wardrobe: Mayan Toledano

Roy's "Acowpella Beatbox" album

Actors: Patrick Griffith, Martin Pfefferkorn
Faces: Ben Bocker, Maya Ish Shalom, Gal Muggia, Anaelle Heymann, Yael Friedlander, Daniel Koren, Tom Metcalfe, Anisia Affek, Mark Coates, Yoav L. Wazana, Dan Farkas, Yinka Parris, Si Koroma, Alma Beck and Lazar Farkas the cat

Music Credits-
Composed by Roy Kafri
All Vocals by Roy Kafri
Mixed by Ori Shochat

Special Thanks to: Daniela Albin, Anisia Affek, Omri Anghel, Dan Farkas, Daniel Koren, Gal Muggia and Maya Ish Shalom



Friday 7 November 2014

Gear - Gaff Gun, cool concept, but is it for the lil guy?


  Been a while since I mentioned any gear, so here is something rather novel. It has a great practical application, although it poses two questions, Do I need more gear and Do I need to cart around more gear to shoots?

  For a small production company I would think the cost outweighs the practicality of another piece of gear that only does one thing, or that you wouldn't use anywhere near as often as you would hope. But I can't help but feel this is a great idea, and it would be extremely useful to a Gaffer or even a Best Boy working medium to large productions regularly... Not to mention the over all time saved to the entire production....

 Check out the Video:


References:



Best Boy



Wednesday 5 November 2014

Hardcore - IndieGoGo... A Go Go



  I love first person and have done for a while. I've had this brewing idea and desire to shoot an adaption of a book I read, but making the majority of it in first person.
  There have been very few films to use first person well, effectively, for several scenes, or for an entire act, much less an entire film... However today I found an IndieGoGo  project entirely shot in First Person. Ironically, Ilya Naishuller is crowd funding for the post production only, as the film is already done.

 The film is called Hardcore and the teaser is mouth wateringly awesome! I can't wait for this as I'm sure so very many other people are too. Combine the awesome action of The Raid films with First person camera angles from your favourite video game and you'll be close to what, I assume, Ilya Naishuller has in store for viewers with his completed film. 
Check out the teaser:

Hardcore Teaser

 I saw Ilya Naishuller's Bad Motherfucker music video AGES ago, I watched it, I enjoyed it, I thought it was a one hit wonder... I'm glad I was wrong.

Biting Elbows - Bad Motherfucker

 This is something I can truly get behind! And I love the rig they built for the First Person Actor/Stuntman to wear:



 Donate on the IndieGoGo page here - Hardcore - The First Ever Action POV Feature Film

References:
IndieGoGo

IndieGoGo - Hardcore Page

Biting Elbows You Tube Channel

Biting Elbows Official

GoPro

Poster:



Not just suggesting or recommending a donation, I actually donated:


Friday 31 October 2014

A Worthy Cause - Sign the Petition

 Having purchased a "smart" TV (albeit a few years ago now), I can completely understand where Reed Morano is coming from with her petition to remove the new bane of our existence! Smooth Motion (Tru-Motion on my LG). Granted this feature is relatively easy to turn off with a little know how and a lot of Setup menu searches later.... But for those who are more techno-phobic, they just put up with it.

Read the article with more information on No Film School here:


Sign the Petition here:

Reference:




Saturday 25 October 2014

9th Annual Show Me Shorts Film Festival


  Next Month (November.... Obviously!) is the Show me Shorts Film Festival. An assortment of short films packaged together in themes/genres/and otherwise... These will be airing all around the Country (New Zealand), the Major Cities will have an opportunity to see these selections as well as other assorted Towns who will only get the highlights package,

  Some of these I'm quite keen to see, and I also noted old friend Steve Saussey's (Previously mentioned) Whisker will be playing in the "In the Neighbourhood" grouping. Hope to see you at one of the screenings!

Click to view the Programme

References:



Monday 20 October 2014

Vimeo Find of the Month - October (Brian Carroll - God's Eye View Compilation)

Trying to make this an actual Monthly thing, so... 


  ... This month, although not an original film, is a beautiful montage of God's Eye View shots from some well known (and not so well known) films set to music by the Yeah Yeah Yeahs. This was edited together by Brian Carroll an editor from Philadelphia.

Watch God's Eye View Here...

 I realise that this video was uploaded about three years ago, but I thought it was worth mentioning and is a great reference piece for anyone looking to use God's Eye. Check out his other edits on Vimeo here




NB: God's Eye is usually referred to as Bird's Eye View, but since a birds eyes are usually either side of their head, it makes the naming incorrect as it's more about their vantage than their actual "view"... for the more pedantic of us...

Friday 17 October 2014

Stop Motion Animation - The Morgan Spence Way


  Some of you may have already heard of him, others may not, but Morgan Spence has successfully been doing what many of us have previously attempted to poor effect. Morgan animates Lego using stop motion, and as evidenced by the videos (below) to brilliant effect and to an amazingly (probably painstakingly) high standard.

  Although I was aware of the Paul Oakenfold music video, I wasn't aware it was by young Morgan. But it was this article (below) a few days ago on the Daily Mail which peaked my interest and seemingly the interest of many many others.


  Already offering an impressive resume of projects, Morgan Spence is still only 15 years old, I honestly can't wait to see him flourish and make longer and longer projects.

Showreel:


Paul Oakenfold - Who Do You Love
Music Video


Famous Film Scenes... in Lego


Screens:



Morgspenny Productions Official Website

Daily Mail Website

Lego Official Website

Wednesday 15 October 2014

Studio Ghibli theatrical run in Australia and New Zealand - (October/November/December)


 So it's been announced a few Studio Ghibli films will have a short theatrical run in New Zealand (in November) and Australia  (October/November/December) this year.



 Films being played are:







Auckland's host cinema is the Academy, for details Click here

Wellington's host cinema is the Embassy, for details Click here

Christchurch's host cinema is Hoyts Riccarton, for details Click here


For full details - and Australian Cinemas/States - Click here

Friday 3 October 2014

52 - The Worst to the Best of Alfred Hitchcock



 Been awhile since I've written anything, so I thought I should have a wee post. A few weeks ago I read a list of the 52 worst to best Hitchcock films on Time Out, and although some films are a little misplaced or unappreciated on the list, it also proves there are plenty of Hitchcock's films I haven't seen. Personally I find it hard to pick a favourite, but I've always been partial to Vertigo, although Rear Window is a very close second. If you're not familiar with his work, or looking to see more Hitchcock films, I'd recommend this bad boy!

Alfred Hitchcock - Masterpiece Collection - Blu-Ray

 What do you think of the list?

Click to view the list


 Also worth checking out is the Alfred Hitchcock present television series, one of his many forays into Television:

Season One
Season Two
Season Three
Season Four
Season Five
Season Six


List reference:

Purchases: